Sunday, December 22, 2013

if I avoid the unsightly, the inappropriate, that negates the bulk ofmy living and leaves me straining in falsetto. damn the unseemly, but iwrite.

i get stuck. the only way i know to unstick is to approach the very moment in which i reside. i do.

george is here, sitting with me in my mom's chair. i rock wedged between the big open windows of the hermitage and its fireplace. his presence, not that comfy. with his added weight, the wicker bites ridiculous patterns into my rump as i wait his leave. i hate his visits. i distract myself with the thumbing of my keypad and the muffled thrumbing morning rain on the metal roof. from here, i see that the leaves are begining to clump, cling and matt. i rock; it drizzles; i bemoan the visit. still hunting for distraction, i damn yesterday's rotten log with its belt busting force decommissioning my tractor's mulching blade. now i will have to work up the words to ask mr. bushee for a lesson in belting my banged up red babe. i am hard on my tools and toys, haranguing them to work in irregular ways. as a she-child, i did not get the useful learned lessons in machined mechanisms or their care. frankly even now, the store bought fixetties leave me wanting. the red bladed beast has returned from the shop more broken than not. huh? i paid work earned money. they alleviate her nonfunctionalness, but bang and break something new every fricking time--broken fender, dangling head light, sliced tire wall. grrrrr. superfical i suppose, but my hard wear excaberates the breaks -- front face plate recently gone as the broken fender caught hold and ripped free from a limbed clutch. admittedly i only forked over a hundred bucks for her, my divorce trophy of some poor souls' split.

my mind wanders back to george. how can it not, as he asserts himself with a fierce, unforgiving force. bastard. try as i might to avoid his impinging, he arrives with foreseeable frequence. only now has he begun to slow, stutter, and wane with the wear of age. why must he come for these excavations with his little cutting, barbaric detissuing knives? i bleed each visit. damn bastard. a week early from his habit, he sits with me in this chair. sit still or rock, he cramps me. this fall he has toyed, failing, fluttering and fluctuating in his visits, as though to leave me. i am ready for him to be gone. i yearn for the flat lake calm that will settle with the absence of his hormonally driven storms. perhaps i will be less of a woman in his wake. i've premourned his leaving for sometime -- fretting my fading femininity. he has had his damn stay for near thirty nine and three quarter years! i am ready for him to be gone. bastard.

[perimenapausal dark humor...in case i was unclear]

Saturday, December 21, 2013

Spring 2014 Workshops with Kathy Kelley

Listening in the Gaps: Writing Workshop +
Artist Way Workshop
Begin NEXT week, January 8/9, 2014 Register today
@ kk.creativehabit [at] gmail.com


Listening in the Gaps: Writing Workshop
Kathryn Kelley
Open to non-writers and writers [adults]
Thursdays, 10:00 am - noon
Begins January 9 (8 weeks)
Chapelwood UMC, room tba
Group size max 12
Text: Writing down the bones [Natalie Goldberg]
"There’s a gap between who we think we are and who we really are. In writing, there’s a gap between what we think we wrote and what we actually write. Practice closes the gap.” Natalie Goldberg
Writing is a deep act of vulnerability giving us access to listen into the gaps of our armor, of our lived experiences, and God’s* quiet movements. It is an intentional, particular, inner act. It can make us laugh, cry, blush, remember. It can open us to our anger, grief, joy and forgiveness. It is a way of waking up, a step into prayer. In this workshop we will create a guided nonjudgmental space to write, write, write—keeping our hand moving, not worrying about crossing out, spelling, punctuation, or grammar. We will follow the writing where it takes us, trusting God to enter the page with us.
“I reach writing through an act of waiting and listening; I make false starts; I get in my own way; I try again. Putting words onto paper—when it is done as an honest act of search or connection, rather than an act of manipulation, performance, self-aggrandizement or self-protection—is a holy act.” Pat Schneider
Weekly various prompts will be provided to open us into this writing practice both for warm ups and longer writings. As Jerry Webber encourages, we will “chase the image.” Writing through metaphor, memory, hope, and sensory experience, each in our own way, finding our own voice, our own pace. There will be opportunities for short nonjudgmental sharing [optional] of what we are finding in our own writing—surprises, hurts, healings, and chuckles that arise in word, phrase or story. During the week we will read excerpts from Natalie Goldberg’s book Writing down the bones, as well as, explore journal writing through free writes [to be explained], development of a word, phrase or idea that emerged during the workshop, and note God’s movement in our practice. We will experiment with various avenues of writing—prose, fiction and non, poetry, journaling, and letter writing. We will explore this practice in a safe community.

What you will need: a fast pen, a cheap notebook [iPad sized or larger], the book Writing down the bones [Natalie Goldberg], courage to approach the small truths of your lived experiences, openness to put your inner critic on hold, willingness to show up pushing pen to page.
"Why don't you making writing your practice [a practice of meditation, of prayer], it will take you everyplace.” Natalie Goldberg
*God - I use this word, this name, to approach certain mysteries, you may approach differently -- whether higher power, mystery, another name, blind luck, or a good pair of bootstraps on which to pull, come as you are and come as you belief. 
The Artist Way Workshop
Kathryn Kelley
All levels [adults]
Wednesdays, 6:00 - 8:00 pm
Begins January 8 (10 weeks)
Chapelwood UMC, room LC 204
Group size max 9
Text: The Artist Way [Julia Cameron]
In this workshop, we will function as a creative cluster in which to begin stepping past the internal and external habits that have kept our creative impulse on the back burner. Joining this cluster will be to fulfill a yearning to bring our creative impulse to the front burner. Reading and test running the exercises from Julia Cameron's book, The Artist Way, we will excavate habits and thinking that may have kept us blocked and cultivate ones that support our impulse to create, to express. You will be challenged to explore methods from the text each week—writing morning artist pages, an artist date, and other exercises. This course is based on the premise that each of us is by nature creative and that in a supportive community we can more easily begin moving from the fantasy of doing to actually doing. Whether your urge has been to write, paint, build, sculpt, cook, arrange, or plant, this group is for you and is genre independent.

Facilitator: Kathy Kelley is a professional practicing visual artist, writer and has been a Professor of Art in an interdisciplinary art foundations program. She has had numerous solo exhibitions throughout Texas, participated in artist residencies nationally, and is the founding president of the nonprofit BOX 13 ArtSpace. She holds her MFA from UH. She has a passion for the creative process, the connection and parallels between the creative process and spirituality, and life patterns of artists that exercise their creative practice throughout their life span. Kathy formerly worked at Chapelwood in both the youth and communication ministries.

Registration: register by January 6, 2014 with Kathy Kelley via email kk.creativehabit @ gmail.com

You may register for either Listening in the Gaps: Writing Workshop or The Artist Way Workshop. Due to limited space, please do not sign up for both. Register ASAP, people registering after the workshops fill will be added to a wait list.

Location:
Chapelwood UMC
11140 Greenbay
Houston, TX 77024