Kathryn Kelley

mumbling to myself aloud, in public. at times it is embarrassing, but it is as it is.
I know you're expecting art! It is here, but interwoven / embedded with cyber residue of life.

Monday, November 16, 2009

Officially deinstalled

Posted by kathkell at 11/16/2009 11:16:00 AM
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)

about me

  • Unknown
  • kathkell

Field Notes | The blurring of art, text + life | Kathy Kelley

Loading...

links

  • > CV
  • > gallery of work (sort of)
  • > residency experience - VSC
  • > residency experienc - I-Park
  • > teaching projects + systems
  • > teaching foundations portfolio
  • > teaching philosophy
  • > community engagement
  • > where i've been; where i am heading
  • > upcoming exhibitions
  • > treading where no one hears the echoe of her foot fall essay
  • > 2014s workshops: writing + creativity
  • < 2013 WASH
  • > 2012 WASH (art foundations)
  • > links to past WASH sites
  • > BOX 13 ArtSpace
  • > software for design UH (old)
  • > Intermediate UH (old)
  • > Drawing for Graphics UH (old)
  • > Fundamentals UH (old)
  • > 2d Animation AIH (old)
  • > Vector Animation AIH (old)
  • > in the space of absence [exhibition images]

archive

  • ►  2024 (1)
    • ►  December (1)
  • ►  2016 (1)
    • ►  May (1)
  • ►  2015 (11)
    • ►  October (1)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (3)
    • ►  February (1)
    • ►  January (3)
  • ►  2014 (41)
    • ►  December (1)
    • ►  November (6)
    • ►  October (7)
    • ►  September (6)
    • ►  July (1)
    • ►  June (3)
    • ►  May (2)
    • ►  April (1)
    • ►  March (5)
    • ►  January (9)
  • ►  2013 (118)
    • ►  December (2)
    • ►  November (1)
    • ►  October (7)
    • ►  September (10)
    • ►  August (6)
    • ►  July (16)
    • ►  June (30)
    • ►  May (8)
    • ►  April (9)
    • ►  March (10)
    • ►  February (5)
    • ►  January (14)
  • ►  2012 (437)
    • ►  December (14)
    • ►  November (25)
    • ►  October (27)
    • ►  September (26)
    • ►  August (56)
    • ►  July (74)
    • ►  June (63)
    • ►  May (28)
    • ►  April (32)
    • ►  March (40)
    • ►  February (27)
    • ►  January (25)
  • ►  2011 (292)
    • ►  December (35)
    • ►  November (45)
    • ►  October (19)
    • ►  September (23)
    • ►  August (29)
    • ►  July (19)
    • ►  June (26)
    • ►  May (15)
    • ►  April (23)
    • ►  March (21)
    • ►  February (24)
    • ►  January (13)
  • ►  2010 (351)
    • ►  December (17)
    • ►  November (30)
    • ►  October (37)
    • ►  September (23)
    • ►  August (30)
    • ►  July (25)
    • ►  June (78)
    • ►  May (40)
    • ►  April (15)
    • ►  March (21)
    • ►  February (17)
    • ►  January (18)
  • ▼  2009 (301)
    • ►  December (29)
    • ▼  November (25)
      • Omg I think I've gone and actually made it modular!
      • Neither hears nor understands
      • Oops. It lists to the right
      • "we bring our lares with us"
      • Standing at the "fence edge of a religious petting...
      • Not sure but in process
      • in I breathe
      • He is so arrogant and brazen
      • How do I de-construct another?
      • students working ghost drawings
      • More student explorations in self and classmate po...
      • Contemplating exhibition elements for UTSA GALLERY
      • Officially deinstalled
      • Yes. I believe this is so
      • and it's wake pushes forward into the future with ...
      • am collecting old belts; will take your old ones o...
      • "You can never go wrong stopping by an opening par...
      • How can my false self lead me to the real Light?
      • Ghosting technique for portraits student explorations
      • student explorations in portrait
      • insanity?
      • in the space of absence installed as part of artCr...
      • How do my emotions help me to understand more deeply?
      • what can't be changed.
      • texture project experiment
    • ►  October (39)
    • ►  September (60)
    • ►  August (50)
    • ►  July (12)
    • ►  June (46)
    • ►  May (15)
    • ►  April (2)
    • ►  March (1)
    • ►  February (10)
    • ►  January (12)
  • ►  2008 (65)
    • ►  December (2)
    • ►  November (14)
    • ►  October (7)
    • ►  September (3)
    • ►  August (2)
    • ►  July (7)
    • ►  June (5)
    • ►  May (9)
    • ►  April (4)
    • ►  March (2)
    • ►  February (5)
    • ►  January (5)
  • ►  2007 (26)
    • ►  December (1)
    • ►  November (5)
    • ►  October (3)
    • ►  August (1)
    • ►  May (2)
    • ►  April (1)
    • ►  March (3)
    • ►  February (8)
    • ►  January (2)
  • ►  2006 (26)
    • ►  December (1)
    • ►  November (6)
    • ►  July (19)

categories

SHSU Art (50) VSC (34) WASH foundations (53) art (217) art foundations (50) art review (22) artist residency (157) darke gallery (13) essay (5) exhibition (63) family (29) friendship (2) garden (19) hermitage (90) i-park (106) microforest (39) mundane ramblings (311) painting (6) peace (5) poems which aren't really poems just thinkings (14) poetry (15) process (201) public art (2) road trip (33) teaching (59)

popular posts

  • Incessant wanting.
    In the space of absence. Intimacy. Fear. Proximity. Disturbing nearness. Loss of shallow distance. Contamination. Enclosure. Enclusion. Excl...
  • tell me a story.
    Tell me the story of when fire came down and consumed two souls into one, two melded not in sameness but in fiery harmony, where they fit to...
  • Never blog when tired.
    Mode of exception, the norm. State of emergency, the norm. Presences of artificially generated fear, the norm. In perpetual transit, I am en...
  • visit me at kathykelley.us
    visit my new site at http://kathykelley.us - - slightly more organized -- i hope.
  • FLESHY SURFACE :: a review of Robert Rauschenberg: Cardboards and Related Pieces at the Menil
    Reference, meaning, order and authority are disconnected in Robert Rauschenberg’s Volon (1971, cardboard) or what I call LAY FLAT. DO NOT S...
  • Beds fully made
    Mistress Mary, Quite contrary, How does your garden grow? With Silver Bells, And Cockle Shells, And so my garden grows.  (c1744) i don'...
  • Agnes Martin :: Gender-linked language practices paralleled and embodied in the art object
    The Garden, 1958, Oil paint and found objects on wood. [Image from TATE] PROJECT PROPOSAL From Freud’s slips of the tongue[1] onward, la...
  • Waiting a poem and performance by Faith Wilding (Womanhouse)
    Waiting A Poem by Faith Wilding (early 1970s) Waiting . . . waiting . . . waiting . . . Waiting for someone to...
  • Against my better judgment, I open myself.
    [methodology] I trust the process—research, collective critical analysis, emergent forms from visceral object making, alternate views that m...
  • (no title)
kathryn stirling kelley 2012. Simple theme. Powered by Blogger.

subscribe to

Posts
Atom
Posts
Comments
Atom
Comments