- deconstructing discrepancies between artist intent and viewers perception
- disrupting habits--disrupt habits of mind, habits of making, habits of process, habits of materiality
- disrupting assumptions—perceived cultural, historical and personal narratives
- enticing to enter the ongoing dialog of contemporary art and practice
- digging into ideation process through guided research
- unpacking ideation and making processes
- tethering* for increased capacity for risk taking—materiality, methodology, conceptually
- exploiting pocket technology—smart phones and social media
- synthesizing and documenting (writing) deconstruction of habits, intent vs perception, processes
- collaboratively participate in critical reflection and feedback throughout process
- open capacities for listening (responsiveness and adaptability) to materials, methods, ideations, context
- connecting to contexts—physical, historical, psychological, cultural, personal
- exposing and explore the multiplicity of source of ideation for generation of work
- translating concept from one form to another—metaphorical, sensory translations, etc
- making space for the unruly, the resistant and the radical
- rewriting our histories our stories to understand and navigate the now
- skin on or off—life starts now; not later—artist/designer/animator
- work is art, not “project.” Hang all crits as an exhibition
- *peer community in which student experiences a strong sense of belonging.
mumbling to myself aloud, in public. at times it is embarrassing, but it is as it is.
I know you're expecting art!
It is here, but interwoven / embedded with cyber residue of life.
Sunday, October 28, 2012
ha. my teaching philosophy as sound bites
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