here is partial sampling of my three on three. remember you are not getting the verbal commentary, just a half snippet. PS I love Janine Antoni, Robert Morris, and Schneeman's work. How could they not be freaking influential on my primary practice. PSS I am not a historian, but a practicing studio artist, plus grad student, and I teach/present from this perspective.
in the written text of female visual artists are there linguistic traces of self-limiting social positioning?
the body is never neutral, never silent [contemporary art history]
ps. disclaimer - imagery was used for educational purpose in educational setting. outside of a grade, honoring, and self-respect, there was no fiscal benefit.